Sunday, October 25, 2015

Hi, I am writing this as a message direct to an entertainment lawyer via
video conference call in regards to submitting an idea/movie/screen play to
Hsu Feng's movie company Tomson Films (link here).  In correlation to
the negative review of Hsu Feng's 1976 movie Mystagogue and the way
in which it was reviewed by the commentator, Hsu Feng's performance
and the monastic elements of that film, were correlated to the effect of
being mundane purposely and the writer was well aware that the monastic
lifestyle of the people depicted, pertains strictly to meditation, denial,
prayer, etc. etc, so the lack of color and proper lighting does in fact serve
as a means of clarifying and/or ratifying the connection to her.  When I
offer services outlined in the comment beneath the comment prior to this,
I exactingly site my experience with a foreign language, completing the
course and from there, going on to be a little bit ostracized by my piers
for having the pent up ability to perform well in an academic environment
but not being able to connect it to my taste in films, well, at least not until
I simplify the issue and clarify all of the outlying factors, in the remote
area of the subconscious, my subconscious ability, what than and what
have you.

I saved 5000$ and submitted something in a subconscious train of thinking
that spanned years and years, refusing to let anyone penetrate the reign of
intellectual devotion to the martial arts genre, despite my exposure to stars,
Kung Fu movie fanatics/commentators, merely because my interpretation
and enjoyment of the genre boiled down to my enjoyment of the poorly
lit realms of the martial arts genre, where properly lit, exhibitions of skill
did little or nothing to aid my focus, so I am merely returning my work
and study to people who were involved with the initial construction of the
cinematic composition that propelled my going to Harlem and bringing
back a gigantic storage of music and things that pertained to Asian music
and put the aspect of Harlem and the tag sale I was at into focus. 

I noticed that when you get into the agency's and you are working on it
thru this idiom, it is not like you are working at collaborating on a film like
"Crouching Tiger Hidden Dragon' which never necessarily helped your
concentration but was a contribution to the genre nonetheless which most
certainly would have been, decried, should the marketing department had
established the film with the certainty, that it would be able to aid people
in the same way it has propelled me thru the course of my involvement
with Martial Arts related cinema.  That could have been the regular way of
thinking which the people behind the marketing approach to that film had
gone about, bringing it into the public eye, when in fact it was merely an
"up in the air' concept, where it's desirable run, would have the key figures
in some type of non-approachable zeppelin whose key figures, although
they wanted them to appear relatable, but once the news of the manifestation
reached the common struggling actors/musician environment, it would be
far from the reaches of anything that could be deemed "solicit-able" so
it ran a-fowl, and the configuration of works, music from Hong Kong,
Taiwan etc, were all most certainly put into effect so the key figure in my
effort, (namely myself) could dislodge the clogged avenue of submission
as a type of tool a plumber uses to unclog pipes. 

I don't know if the people who received my past subconscious effort
possess the desire for me to succeed. 

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