MAH05036

A taste of honey - Sukiyaki (classic) 1981

曼莉~（姚苏蓉唱）~好歌听出好心情。

Summer Maximus Part 1

曼莉 姚苏蓉唱 我們的過去 我們的情誼 怎麼能忘記 蔓莉怎麼你這樣任性 靜靜地就離去 我很傷心 從今以後 不能夠見到你 只有留下的情景使我常回憶 美丽的青山 美丽的綠水 只有我和你 蔓莉可記得 我們時常快樂的在一起 我很傷心 今天我們就要永別離 只有希望在夢中时常能够见到你 美丽的青山 美丽的綠水 只有我和你 蔓莉可記得 我們時常快樂的在一起 我很傷心 今天我們就要永別離 只有希望在夢中时常能够见到你 Manli 姚苏蓉 sing our past friendship how can we forget how you wayward vine Li quietly on leave from now on I am very sad to see you can not just leave the scene so I often recall the beautiful Aoyama Beautiful green water just me and you Man Li still remember we are always happy together I am very sad today, we will never leave only hope to see you in my dreams often beautiful mountains beautiful green water just me and you still remember us Man-li always happy together I am very sad today, we will never leave only hope to see you in my dreams often

楊燕-蘋果花

姚蘇蓉 王昭君

姚蘇蓉 王昭君

6/22/14 (Dumy Gl)

6/22/14 (Dumy Gl)

6/22/14 (Dumy Gl)

Raining In The Mountain (1979). Hsu Feng, Shih Jun. Eng subs.

MAQ00278

My Edited Video

My Edited Video

My Edited Video

http://www.tomson-films.com/indexnew5e.htm

My Edited Video

MAH00123

MAH00123

http://www.kelleytown.com/Shared%20Files/Adam%20and%20Eve.pdf

Return to Ichimonji

The centrifugal force of external speculation-

The centrifugal force of external speculation, are the predictions and forecasts
that occurred to me that I wish to share with the aforementioned recipients of this
document.  So, in a nut shell, you have the reasons for my desire to connect with
Tomspon Films, whom I may contact without any aid, but for some particular
reasons that arose from the subconscious efforts I made, and the questionable
mysteries left by my attorney thereof, which pertaining to his handling of my
submissions to Zhang Ziji.

I feel compelled to say that my affirmations circling this past endeavor were
made because of the limited incursions that I made into the realm of Hong Kong
cinema, since they were made onto people who had no necessary responsibility
to me, none along the lines of legal guardian, so my efforts may have merely
been held in the same regard as fliers for the grand opening of some electronic
retail outlet that was opening the following week along some remote highway,
or a thrift store.  So, regardless to say, they never necessarily condoned, guided,
seasoned, trained or mastered any of my implications or contributions to the world
of modern film and the only ideas of reassurance have came from the world of
self hypnotism:  previously getting songs done, released, stolen etc,

I know that embarking on a journey within the confines of the self ensures
a high success rate, hence my willingness to hire an attorney who works within
the field of entertainment law, and "how' has one who has been hypnotized for
so long realize he has been hypnotized.  Well, the lack of research done on
my behalf, pertaining to how exactly one could embark on a 5000$ saving
spree, without doing the research (that costs little or none) as to weather this
parallel/letter could be delivered to Hsu Feng/Zhang Ziji/Gong Li thru an
Entertainment Lawyer for an hourly rate since merely pertains to a short
essay.

The film was Sgt. Kabuki Man NYPD.  This film in and of itself has the
elements that I experienced in NYC: a man getting possessed by a Kabuki
spirit.  (Their is an aptitude for that since the kabuki form of entertainment
was founded by a Shinto Priestess from Japan)

I was watching the four Toxic Avengers films, and saw a recommendation
for Kabuki man, whose lead character is approached by an actor from a
Kabuki film, after my original inspiration had become disconcerted with my
lack of experience, and for the sake of mundane accountancy, you can refer
to my "drive to pass Japanese 101" mention in the previous posts-

So, I collected an alarmingly large amount of titles, to aid a non existent
cause at the time.  The events of that day other than trudging up and down
the stairs in an ideal filming local, are unclear to me, but the finality of the
effort, was gathered by collecting drawings from characters from a book on
Siamese Cookery by Marie M. Wilson on a regular basis and not getting
any positive appraisal for them due to the nature of my surrounding aside
from an internal merit, that was never ratified on a monetary basis.

The only ratification made by the drawings was seeing the other low budget
flying scene's from Troma's Sgt. Kabuki Man NYPD, and correlating it with
a flying dragon from the aforementioned cook book, where a person is
drawn riding the red dragon, appeared during my original sketches a top the
Columbia University astronomy lab, in my rough sketches, which I can admit
were far from the thesis idea on Asian studies who the original owner of the
records was working on, and I had speculations of referring to it in  the same
sense as Mark Twain would, refer to the fictitious diaries kept by
Adam and Eve,

Making fictitiously detailed references to an imaginary diary is utterly
beyond my current ability, since I use social networking and my propensity
for outlandish creative endeavors are thwarted, by the possibility of on-line
plagarism, except in a case where it is the topic of legal representation or
speculation. 

Hi, I am writing this as a message direct to an entertainment lawyer via
video conference call in regards to submitting an idea/movie/screen play to
Hsu Feng's movie company Tomson Films (link here).  In correlation to
the negative review of Hsu Feng's 1976 movie Mystagogue and the way
in which it was reviewed by the commentator, Hsu Feng's performance
and the monastic elements of that film, were correlated to the effect of
being mundane purposely and the writer was well aware that the monastic
lifestyle of the people depicted, pertains strictly to meditation, denial,
prayer, etc. etc, so the lack of color and proper lighting does in fact serve
as a means of clarifying and/or ratifying the connection to her.  When I
offer services outlined in the comment beneath the comment prior to this,
I exactingly site my experience with a foreign language, completing the
course and from there, going on to be a little bit ostracized by my piers
for having the pent up ability to perform well in an academic environment
but not being able to connect it to my taste in films, well, at least not until
I simplify the issue and clarify all of the outlying factors, in the remote
area of the subconscious, my subconscious ability, what than and what
have you.

I saved 5000$ and submitted something in a subconscious train of thinking
that spanned years and years, refusing to let anyone penetrate the reign of
intellectual devotion to the martial arts genre, despite my exposure to stars,
Kung Fu movie fanatics/commentators, merely because my interpretation
and enjoyment of the genre boiled down to my enjoyment of the poorly
lit realms of the martial arts genre, where properly lit, exhibitions of skill
did little or nothing to aid my focus, so I am merely returning my work
and study to people who were involved with the initial construction of the
cinematic composition that propelled my going to Harlem and bringing
back a gigantic storage of music and things that pertained to Asian music
and put the aspect of Harlem and the tag sale I was at into focus. 

I noticed that when you get into the agency's and you are working on it
thru this idiom, it is not like you are working at collaborating on a film like
"Crouching Tiger Hidden Dragon' which never necessarily helped your
concentration but was a contribution to the genre nonetheless which most
certainly would have been, decried, should the marketing department had
established the film with the certainty, that it would be able to aid people
in the same way it has propelled me thru the course of my involvement
with Martial Arts related cinema.  That could have been the regular way of
thinking which the people behind the marketing approach to that film had
gone about, bringing it into the public eye, when in fact it was merely an
"up in the air' concept, where it's desirable run, would have the key figures
in some type of non-approachable zeppelin whose key figures, although
they wanted them to appear relatable, but once the news of the manifestation
reached the common struggling actors/musician environment, it would be
far from the reaches of anything that could be deemed "solicit-able" so
it ran a-fowl, and the configuration of works, music from Hong Kong,
Taiwan etc, were all most certainly put into effect so the key figure in my
effort, (namely myself) could dislodge the clogged avenue of submission
as a type of tool a plumber uses to unclog pipes. 

I don't know if the people who received my past subconscious effort
possess the desire for me to succeed. 

I remember first seeing this movie on USA Network when I was really young. I feel the same way today as I did back then, why was this movie only average despite a good cast? First, we have Hsu Feng, a kung fu fighting femme fatale. Next, there's Carter Wong, who's film credits are too numerous to list. Finally, there's the awesome Chang Yi (just check him out in "Shaolin Invincible Sticks", "Eagle's Claw" & especially in Samo Hung's "The Victim".) Except for the rousing opening & the fairly exciting end fight, the middle is absolutely boring. I don't know if anybody else noticed this, but almost all the fights in the middle took place in the dark. This is a lame tactic usually used because 1) the DP was incompetent, 2) the film's budget wouldn't allow for more lights or 3) to cover up an actor's lack of martial skill. A so-so film recommended only to Carter Wong and/or Chang Yi completists only. Hey, they can't all be as awesome as the Venoms, right?

So, in conjunction with my prior request for a consultation, I am slowly beginning to realize that the endeavor, was regulated by a type of stubborn, "buckled down" persuasion, in which I can commit to a foreign language, pass the course but only at the course of subconsciously committing to other tasks, unable to explain how I could pass a final exam in the Japanese language. 

I don't think my old lawyer knew I was selling a cross connection, of a four year commitment, to regimented focus, that could be applied to any area, cinema, poetry, music etc. etc. to a small group of clients, whose work I connected as aiding in the concentration process, hence the nature of the importance of their association.  He couldn't have understood that, hence my willingness to pay the hi rate.  We can do an extravagant retainer and video consultation if you can receive and forward the item for the cost, and I can switch out of mode before other parties, try to persuade me to commit to another work.

Dionne Warwick – I’ll Never Fall In Love Again [Full Album]

Theme from "Valley of the Dolls" by Dionne Warwick {lyrics}

MAH05023

WarehouseValue/BobMarley/TurnoftheMillenium part 2

I actually quit Warehouse Value today, because I feel as though
my demands aren't being taken seriously and I am completely not
involved with it.  Not only do I not feel involved with it, but my
entire career on social networking, Glen Kioni and everything isn't
conducive to anything I've done as far as correcting the way that
we were getting us into financial ruin. 

MAH05020

Warehouse Value/Bob Marley/Turn of the Millenium

When I was in a band during 2000, with Chris. Rob and Zach,
we watched the Bob Marley documentary many times, and I had
a lot of stuff taken from my house as well as noise complaints. 
Chris took a bass and paid for it, so no real thefts are contributed
to him as opposed to the other two, but during the court case for
the noise complaints, a cop from my step fathers band who borrowed
a book on African drumming said we were credible and we weren't
found guilty because I was sound proofing a garage, and he also
was borrowing a book on African Drumming that he never returned
throwing me into a world of greater appreciation for that particular
music, after the band broke up. 

I found a 16 track CD burner at a garage sale enabling me to
restore a lot of the music from that period on, so it's not necessarily
music that belongs to anyone.  I wouldn't argue that any of it was
mine, the noise on the cassettes isn't mine, but the whole process of
filming and restoring the demo's on to CD was kind of an escapade
that falls under the category of being a film more so than a music
composition.  I don't lean on any of the songs that were written and
may have left one or two songs on Myspace that were under file
names that were 1-100, not labeled properly, that I never took down,
and I also created a You Tube account under that name, which was
mysteriously contributed to ambitious marketing ideas.

That instance was during an era of sleep deprivation when I made
that in which high school kids repeatedly had loud parties on the
neighbors patio that was above another structure and built without
necessary permits, so I was very dissoriented during some periods
of 2010,2011, and we were ultimately forced to call to have these
parties broken up, and the video's are the first thing that appear on
that channel, of me telling the kids to go home at a very late hour.

So, I don't know why their is a lot of legal scrutiny by him on that,
and I feel that he has a line of reasoning that sets him up for pain 
because I only adhere the frequent showings of being in a band that
frequently reviewed the footage of Hallie Sellasies arrival in Jamaica,
in conjunction with another book besides the African Drumming
entitled "Rastafarianism', Roots and Ideology, that accenuated a lot
of the climaxes thru first hand interveiews witih W. Indian inhabitants
during that era, giving me a specifically sophisticated grasp of the
various details and nuances of that era, from the perspective of
a read author/

Misdirected associations of African/Jamaican culture, and the
behavioral characteristics may be experiences by people who don't
have a deep appreciation or interpretation of the study, and I am
more than happy and feeling well about letting go of that band but
since the greater interest is derived from seeing the footage of the
pivitol things that comprise the foundation of the Rastafari movement
I am reluctant to dissuade study of the factors that comprise the
music, without the disclaimer: 'oh, I would rather shy away from the
legal zoom, because with all of the ridiculous attention I had paid to
my work, forcing me to resort to fiction, and not being too personal
with anyone, that Facebook offered me associations with, I would
advice against appreciating Chris's music, because of the f act that
he referred to "The Healing Drum" as being something that didn't
pertain to the marketing success in a dance community,

Africa is a dance community in and of itself and the idea of
making it a priority to delve into that as a conversation topic is
daunting, because their are people who might try to be dismissive
of the fact, that laws and ownership oif audio tracks is more logical
to have done than actually learning about music.  We start bands
at early ages, we write the music by ourselves, and than a friend
gets a book about some remote part of W. Africa where theirs a
village who would rather have the kids stay out of school and learn
from information passed down from generation to getneration,
and all of a sudden je (me) falls out of the guild of musicians who
knew each other, get's famous in another part of the world (hawaii)
and shoots himself in the foot, since solidifying the various
components of reproach situations would consequently give
people the idea that they should make up their own minds about
someone before meeting them.

I don't necessarily believe it's a no win situation with him if one
could primarily tackle the factors at hand, as saying, I am someone
who is merely against the way things are done within this guild and
that simply because I am not a Hip Hop artist doesn't automatically
make me suit3ed to join a punk or a ska band, their are components
of African music that are all rhythm, conga's, djembe's, baffalons,
stringed instruments, flutes, aetc, that I like to use, but also I seem
to allocate the journey that I embarked upon, regarding my refusal
to identify with the immaturity of the musicians guild, due to their lack
of appreciation of the music that was seemingly thrust upon me at
an early age, from Earth Wind and Fire, and Prince.

I didn't like the lack of appreciation that came from them or the
lack of sympathy that I felt was deserved for assimilating them into
my own way of being.  I was never glorified for that, by anyone who
could have got me anywhere in the music industry, just people who
witnessed it, or hung around me during that time. 

A lot of the present struggles we experience in the present day
were caused by them pulling at me, as though I knew something
about music, but I was never there with them, listening to the music
my step fathers band played, so they didn't know about the vantage
point that I was coming from, when I was in the area, in the place
close to the projects, I was still playing guitar, and I broke up my
band, after they resorted to stealing guitars and not giving me
the money for them (like Chris paid for the bass guitar he broke
at a friends house)

The vantage point was a lack of photography, and the things
that alienated the people I jknew was that their was not a lot of
pro-active investments going on.  Like, "are you going to invest
in the band that you are in", so "yes' I aaid to myseolf naturally,
except, at that point, I bought a trampoline, a video camera, some
swords, stuff like that.  I also got into buying stuff from a part of
the world where theirwere drastically more severe sentences for
about 30 cents worth of drugs.  So I began to import those nuances
and use that to separate me from the unseen forces that5 were there
with the intolerance for that, the trends began with video camera's
but after refusal to participate thinned out, I began to collect things
from Singapore and thailand and renoucne my affiliation with
drugs.

MAH05016

MAH05025

https://www.youtube.com/watch?v=ypKHM-Kk7-I

Prides Deadly Fury aka The Honor of Dongfang Xu

Interesting Baogua moves at 25:26

I don't know if this will ever be read or understood by the
people who were involved, since I would suspect them as
simply choosing not to, but in my exposure to The Beach Boys,
thru my friend who I met at Kellenberg, I seemed to have
gotten subtly drawn out into the world of musical talent because
the polyphony effects your hearing/ear drums, so you can
write more if you listen to The Beach Boys as opposed to
listening to a guitar player a bassist and a drummer following
one chord pattern and melody.  I am very up in arms about
this since their is no starting phase of comprehension towards
how to do this.  You simply meander into it, and you have
to rely on people to cooperate and volunteer on a regular
basis for little or no money to get anywhere and on top of that,
you don't know that to be mobile in the music industry or
the recording industry a good lawyer is more important than
talent, so going the way I went, learning about African music,
thru books that were given to me as presents I went by the
profundity of the scenario where a drummer for my step fathers
band, borrowed a 10-204 book from an African book store
and gave the judge in Glen Cove, his reassurance that we
were not guilty of violating any noise ordinances, so that
we didn't get charged guilty during our answer to the summons,
however, he kept the book and never returned it to us, so
I felt like it was a good thing to do, although my enthusiasm
in African drumming, was never substantiated by my friends,
or demystified exactly, so that my rigorous interpretation,
internalizing the passages, culture, etc, seemed to dislodge
the appreciation of harmonic patterns and polyphony that
Brian Wilson of the Beach Boys was known for, so I wound
up releasing my allbum that was influenced by the outtakes
of that signature album of experimental Beach Boys songs,
in the backlash of African cultural enthusiasm that alienated
my would be supporters for reasons that didn't recognize
that rural hard ships would be appreciated;/substantiated due
to the fact I didn't need to rely on what was in New York,
and I could rely on internal understanding and appreciation
of the African culture, village should I ever get to leave
New York. 

Classic Albums Bob Marley and The Wailers Catch a Fire

I will go with the human rights committee's undoubtedly,
Aung San Su Kyii, and the Daily Show, during the John Stewart
take over, and getting rid of my Cable connection, was a
very good era of creativity.  I always felt sympathetic about
the House arrest so I stopped communicating/using the
cable and the internet, just writing.  I know it's easy to
gather that I am trying to link my own experiences to the
situation in Myanmar, because it's a hot topic with the film
that came out, but it's true.  I was inspired by Craig Kilbourn
leanving the Daily Show and John Steward taking over to
stop wataching TV and the liberals giving people a false
sense of security, like it's okay to be undisciplined was what
caught me off guard. so I just became independent and
disciplined, doing whatever I did.

That's the reality I found last night, in Michael Palins visit
to Vietnam, at the Purple Forbidden City, since these events
took place ten years ago, social networking stopped bothering
me, first I put Craig Kilbourn on from 1998, (the second
to last show before John Stewart took over) and than I saw
those places in Vietnam and rare S.E. exotic Asian places
I was into before I began seeing them as sets for Hollywood
movies. That was when I got the books on Africa and
stopped realizing that I wasn't into cable, I just talked about
it because my friend came over to my house who I knew
from the late 1990's, and I was complaining about the music
he got us into and how his undisciplined reliance on these
mainstream acts, prevented research in exotic African music
and Asian culture. 

Full Circle with Michael Palin Season 1 Episode 3 China

Blowin' In The Wind By Enoch Light

Enoch Light And The Light Brigade - Temptation

The Daily Show with Craig Kilborn - Next to Last Show Complete - Jon Ste...

Kabuki Man-

Hi guys, so I got to the red dragon and I am getting ready to go and
do this parody, but in conclusion to the build up that has transpired over
the past few days, pertaining to (Sado Oseka) it's been really great having
this site as opposed to any of my Facebook's as a destination, but
anyway, the red dragon is just more art that I contributed to this
sort of entity, and I go all of the urges out to do this.  I know their
are a few, but I think the main theme has been that whenever people
present anything, they get to the precipice of the endeavor and for a
normal person, you go there, to the top of the mountain and you are
either parting with the heart of your material, or you are not aware
that it's the soul life force of your day to day routine, and things like
that, so I have been operating under the guise where I have been
more or less "half witted", in a way where I have only been operating
under the impression that this sort of cross road, would come and
and force me to part with the whole thing, in some shady transaction
that takes place over the internet, and apply a lot of discomforting
scrutiny that is more intense than the impression you get from enjoying
the service or the entity of which I speak of, so I don't want to go
near, moderating or regulating the media, as opposed to continuing
on another take of it, since I can go no further with the agents until
i become composed of material like Thor's hammer, which is a
dormant store, that sucks energy in.  So I am just letting out the
experience, I did a lot of covers on here, and you should look at
my songs, "Sweet Heart like You' and the "Cambodian Blues' on
accordion that is a segment from s song that I did from a late
Cambodian singer, whose fate dictates the range of things I like
to include, since it was so horrible, and I don't want to assimilate
everything but I can share it freely after you acknowledge the
disclaimer, since that's my big thing.  I put silly things I find in
French cinema there, etc. etc. but it's never been relegated with
the French people I know because of the language barrier hence
the sense of complex limitations I have to work with.

I don't really like Troma films that much but I get relegated that
with the agents, hence the low budget flying scene, and I do like
"Sgt Kabuki Man NYPD', but it's got things in it, that pertain to
this film, so, my luading them and the Toxic Avenger is more or
less, merely a way showing how much radiator liquid is in my
system, if I were a radiator the house would be freezing because
of Zhang Ziji and Gong Li, they would be warm but you would
be cold, and that's the legal discrepancy. 

Montage7-12-15-(Cambo-Guzheng-Accordian-Guitar)

MAH04697

MAH046952

MAH04696 (The Cambodian Blues on Accordian)

6/24 Guzheng~~

Conversations with agents-

Omega Supreme is in fact visiting the roof top.

MAH05018

Kabukiman's Cocktail Corner | Episode 1 | UNICORN SMACK

Sgt. Kabukiman NYPD (english - sub ita)https://www.facebook.com/exploita...

Salt N Pepa - You Showed Me (with lyrics)

FOR SALE A VENDRE TE KOOP HOMER DENISON FIRE ISLAND 7€

How did I get in the social class that I am in?

I don't like speculating on anything related to Zhang Ziyi,
but it began during the release of ":Crouching Tiger Hidden Dragon'
and me not liking the wire work, and just ignoring it all together,
their is no real athletic prowess that goes into wire work, you are
kind of just being pulled around by a crane.  That's that.

So I began to realize that I was a target audience since it was
marketed under the martial arts genre, and I didn't have cable
television at the time, (hence my knowledge of Mark Twain's
rare books below, I would never have even read them if I were
watching cable) so I never realized how my interests were
getting assimilated into the mainstream.

So I went thru this void, of releasing an album that was inspired
by nothing that was on TV, and only saw Crouching Tiger thru
the DVD player at someone else house.  This was when I was
getting away from listening to the Beach Boys and Kool Keith
and more into reggae, but I named a song "Smile' after one of
the albums my friend gave me by the Beach Boys.

By the time I quit the job where I worked, I had the album
finished, a year after that it underwent duplication but I had to
go to the hospital, and was inpatient a second time after the
CD's arrived, for exhaustion.  Anyway, I had to graduate in
exchange for getting out of the day program that I was in and
also, wound up on social networking after I had been thru that
ordeal, (having to finish school and marketing my CD was not
easy either)

So I got onto social networking sites like Myspace, and met
a lot of people from Honolulu with a record label I knew called
"The Mountain Apple Company' and did phenomenally well until
I tried to link it back together with people I knew who knew me
from listening to Kool Keith, and I left those people's pages to
pursue Taiwanese related culture, like Hsu Fengs, and traced that
back to Zhang Ziji because I remembered her from the film that
she was in. 

I have the lawyer giving her this blogger profile thru a URL
address, but being"the highest paid actress in the world' and
not following her closely enough to understand why, seems to
be a tad bit disconcerting. because I am just a "targeted"
audience, and she's not in touch with me as much as she thinks
she is in touch with people, who, if for the most part, knew of
me, my past, the struggles I had releasing a simple CD for a
few thousand dollars.  It's beyond words, how thoughtlessly
she could spend amounts that are similar to what I suffered
years for, like she could spend the equivalent on transportation
to a restaurant, buying dinner, limousine, etc, in one night that
I spent recording and duplicating all of the songs on my record,
'the road to abylon'-

I hope I am doing the right thing, trying to meet her, it doesn't
feel good, waiting for lawyers to call you back and even worse
them pretending to not be there when you call, but as long as
that information comes in handy to someone else, I'll be more
than happy I embarked on that in the first place.

The Lady 2011

I was a big fan of The Lady, because I used to associate it with
the Mark Twain novel, 'Letters from the Earth'. possibly because it
had similar restrictions, like it was never released until the 1960's
and Aung San Su Kyii had the issues pertaining to the house arrest,
as well as the ban on 'The Lady in China'.  So I was writing a lot
about the records, and how all of these records came from a major
in Asian studies page, and if their was any marketable viability that
was there pertaining to the circumstances to how I found them than
that would be a good charity, the health care in Myanmar thing but
since I wasn't on Michelle Yeoh's friend page.  I don't think she
even has a Facebook account, and that since I was friends with
Bey Logan, he didn't really get sold on my collecting the Chinese
instruments and the pottery since it was conducive to the area of
study that the original owner for the records could have owned,
who was a student at Columbia University and was a major in
Asian studies.  That's all I have to say, I also just left Hawaii when
I got those records, so I don't like to say "they didn't want to be
friends' because all of my accumulated efforts prior to meeting them
was enough to meet people in Los Angeles who are in the area of
making Chinese films, it's just that this vortex, or this whirl pool
has a stronger downward spiral, after I mention these celebrities
and these photo's, due to the area in Sea Cliff that I was in and the
traffic, so I would like to ignore them, even though making the
tee shirts, or the 40-70$ I spent getting that done was good
compared to whatever everyone else was doing at that time, I
did write that the scenario wasn't documented well enough for
these figures to take notice and realize that I had an affiliation with
the character who the bio-pic was centered around, which is more
evident, after you stop and look at Sgt Kabuki Man NYPD
because all of the extra people were eliminated from the project
except for Aung San Su Kyii. who for the most part would have
been impossible for me to get in touch with at that time anyway.

If you look at the three photo's below their is a photo
of the Wong Kar Wai film 2046, "Michelle Yeoh,
Bey Logan and Donnie Yen, and below is that is the
scene from Rob Rheiners Spinal Tap.  How do they
relate.  Gong Li plays a character who helps a man
from Hong Kong win back money he lost, and has
issues about removing a glove, and in Spinal Tap
their is the famous scene about the cover of the album
at the party in NYC where they are releasing the album
and the cover has a naked girl and a glove, so I had
to obviously make that connection and start to laugh
after I met Bey Logan around the time the picture was
taken two years ago for Michelle Yeoh's birthday,
and got drawn away from that topic, because I was
getting idea's.  Well, my story about the Iron Angels
film trilogy and meeting Elaine Lui was already hard
to digest, so after Bey Logan and Elaine Lui both
left my page, after I had introduced them to each other,
I was watching "The Toxic Avenger series", and got
to Sgt Kabuki Man NYPD which is also a Troma
release, and with that, I had this associative complex
of 'who were the final big names of people I had"
since Bey Logan and Elaine didn't want to be friends
with me anymore, so I'd picture the Tromaville
super heroes, like "Dolphin Man", 'Master Boehner'
"The Vibrator", and "The Cow', who are completely
ineffective, dealing with the evil Toxic Avenger from
'The Toxic Avenger IV.

I'll try to get around to posting a picture of it.

Middle Man

Cynthia Khan in the best installment of the franchise,
In the Line of Duty 5, a.k.a Middle Man.  In this feature,
Cynthia's boyfriend (not player by Donnie Yen) get's
out of the army, and chained to a bathroom pipe by her
under the suspicion that he has brought marijuana with
him.  if that's not bizarre enough, she is later caught
stealing from a convenience store in Hong Kong by a
a whole team of police officers who go into the store.
It's a really great movie, easily the best by far.

Elaine Lui

This is the tee-shirt I made that has Elaine Lui's name on it
about two years before I had met her on social networking.
She made a film entitled Stone Age warriors, that I watched
and was taken by it's resemblances to Mossimo Fochi's.
"Last Cannibal World'.  I would tell her about how much I
liked "Last Cannibal World' and that made meeting her much
more special, but by that time, the emphasis on "non-kung fu'
related films has sent my affiliations on Hong Kong into a
temporary "downward spiral", causing Elaine to leave my
Facebook, despite having paid for and worn a tee-shirt that
her name is on, so "Dear Elaine', "if you are reading this, I
would have made the tee-shirt anyway, because I wanted to
show investors that I am willing to pay to promote this sort
of merchandise, it's too bad their is a language barrier preventinge
everyone from working together.

I also can't even play 'Love is Blue' the Vicky Leandros version
for my friend, because I don't know what is going on with the
screen play, the submission or the entertainment lawyer.  It's
a big mystery, and we don't have conference dates set, so it is
keeping me from learning the French version of 'Love is Blue'
that she sings, because I am wondering if I will get to talk to him
on the phone, but I can introduce you to my musician friend who
I shared this with.-Tell me if you want me to take it down.
It doesn't bother me.

Top-Yao SuRong
Bottom-(Left to Right)
Chang Siao Ying/Ervinna

Stuff from Thailand

In the moment.

I'm thinking about what it means to people to make
this and how I should behave.  I firstly, know that my
relationship with my lawyer, is tantamount considering
my history/my past.  Many people would be shocked
that I could afford it.  I am sure he confides in me the
utmost sense of sincerity, against voicing my discontent
towards our present situation of not being able to sing
French, Japanese or be musical because this whole
submission is in the works, so I am thinking, "what can
I add, what would compliment the momentum of what
I have so far", I am just content with what I have and
I am looking for a literary agent, to just handle these
elements of Japanese music, Chinese music astronomy
and the Indonesian travel brochures, so it get's to where
I feel like it should go.  Are all celebrities like that?
The industry is consuming the creativity, and we can't
figure out how to prevent that from happening because
it's a mix of what the author wants, and what people
want from him, so I am discovering this.  I can't write
about the vague area's now, because I took into account
the multi lingual sections of music and science, and I
saw how it was a comedy to the people who earn low
grades so it fits into some experimental European
film genre.  That makes sense, but I am not in this
moment. 

Entertainment Lawyer

I would like to say, that I have been trying to give me friend
a brief synopsis of this, and it has been ultimately impossible
to do because I am so worried about the scenario with
"The Pink Panther" and the pictures I meant to take of my old
supervisor, holding the Olutunji albums and playing the congas.
That effort would reverberate in a positive way, due to his lack
of college credentials, and the fact Olutunji went to NYU, so
I am mad, that I wasn't able to appropriately delineate it from
the scene in the Pink Panther, where David Nivens son pays
a photographer in Hollywood, to photograph him with a cap
and gown, because I could write something that was influenced
by that, but I don't want him to think that I would actually have
done it, and that effort should have been clarified during a phone
call before he cashed the check, but I could never surface from
the other points, so now I can't do the various versions of the
song "Love is Blue' and compile that with, the Japanese content
of the book, with Vincent Gomez' "Tokyo Rhapsody" album
covers, or "A Rainy Night in Tokyo'.  I called in today and
was told he wasn't available, and also, I don't like the blocks
on the like pages for all of my Facebooks with my friend from
Honolulu, since I am serious about getting into films and they
seem to try to keep people out of Hollywood,  by giving them
the impression they don't belong on the big screen.  I know
how to "ask for big numbers" and I don't like the fact that they
are expecting to limit you into bargaining for petty and trifle
sums.  That's a nuance of a low level GPA public school
mentality.

"Rainy Night in Tokyo

This is another vantage point for writing the screen play,
I think it reminds me of "From Russia with Love". 

Vincent Gomez "A Tokyo Rhapsody'

I have some idea's circulating about using characters that look like
the one's on this album cover to make "Sado Oseka'. but since we are
going thru the submission process, I don't have a 300 page screen play
of these people talking to each other.

Love is Blue-

https://www.youtube.com/watch?v=mOGrm7DhfYI

This is Vicky Leandros doing a version of "Love is Blue'
I also, learned about this song thru the 'Enoch Light and the Glittering Guitars'.

English
Chords-E,A,D,G,E,C,D,G
Chorus-E/A/E/A/E/ C#m/F#/Bm/E

Blue, blue, my world is blue
Blue is my world since I'm without you
Gray, gray, my life is gray
Cold is my heart since you went away

Red, red, my eyes are red
Crying for you alone in my bed
Green, green, my jealous heart
I doubted you and now we're apart

When we met
How the bright sun shone
Then love died
Now the rainbow is gone

Black, black, the nights I've known
Longing for you, so lost and alone
Gone, gone, the love we knew
Blue is my world since I'm without you

French-

L'amour est bleu

Doux, doux, l'amour est doux.
Douce ma vie, ma vie, dans tres bras.
Doux, doux, l'amour est doux
Douce ma vie ma vie pres de toi.
Bleu, bleu, l'amour est bleu.
Berce mon coeur, amoureux.
Bleu, bleu l'amour est bleu.
Bleu, comme le ciel qui joue dans tes yeux.
Comme l'eau, comme l'eau qui court.
Moi mon coeur court apres ton amour.
Gris, gris, l'amour est gris.
Pleure mon coeur lorsque tu t'en vas.
Gris, gris, le ciel est gris.
Tombe la pluie quand tu n' es plus la.
Le vent, le vent gemit.
Pleure le vent lorsque tu t'en vas.
Le vant, le vant maudit.
Pleure mon coeur quand tu n'es plus la.
Comme l'eau, comme l'eau qui court.
Moi mon coeur court apres ton amour.
Bleu, bleu, l'amour est bleu.
Le ciel est bleu lorsque tu reviens.
Bleu bleu l'amour est bleu.
L'amour est bleu qaund tu prends ma main.
Fou, fou, l'amour est fou.
Fou comme toi et fou comme moi.
Bleu, bleu, l'amour est bleu.
L'amour est bleu qaund a je suis toi.
L'amour est bleu qaund a je suis a toi.

 https://www.youtube.com/watch?v=nD4ib9-laGY

Enoch Light and those Glittering Guitars

Polka dots and Moon Beams-
https://www.youtube.com/watch?v=s09kOEDtCek

Love is Blue-
https://www.youtube.com/watch?v=A0jyA2OH5r8

Musical Treasures of Indonesia

This is the my record of Indonesian music that I got from the apartment
at the tag sale in Harlem.  To further the non-copy right infringing aspects of
this, I bought an Indonesian shadow puppet from Rhode Island, and photographed
it with a burning sky lantern that had a hole in it, so I just let it illuminate the puppet
since it couldn't have necessarily have been launched.  I also photographed myself
in a rocking chair with a grey wig holding this same record at my old house in
Sea Cliff.  The links to both video's are below. 

https://www.youtube.com/watch?v=uVV98ucK5ak

Hsu Feng/Gong Li

I told my friend Chris about a lady who I wanted to
introduce him to, well, it's off, she's been blocking too many
of my pages, and only permitting me access thru one, so
I don't want to continue with her, but the reason I did have
a second thought, was after I left her page because of the
records.  The girls I met in Taiwan were supposed to
scout out Hsu Feng's Tomson Films, that were located in
Taiwan, and I would subscribe to their company 30times,
and it turned into a lot of them growing further away from
the issue, but as it turns out.  Hsu Feng produced a lot
of Gong Li's later works, Temptress Moon as well as
Farewell my Concubine, but I didn't introduce any of the
Taiwanese people to any of the Hawaiian people I knew
because their was no private intellectual property being
sent around that page, and I had to research all of these
Entertainment Lawyers so I could access the people they
talk about, but I didn't want them to think like they had
something wrong with them because someone from Taiwans
birthday was May 5, and the lady I knew from Honolulu
was May 6.

I was going to tell her about how I transitioned the multiple
MySpace accounts I had to multiple Facebook pages but
I don't want to help her because she blocked most of them,
and most of all, I would suspect that rectifying the scenario
would be to give them way too much info, before people
like you guys got it, so, I'm not giving them anything if it's
going to be a big production.

Chinese Box

The reason I have to do this film.  I also have a piece of
jade in my room, and Jeremy Irons uses it to secure his emotions
in a certain part of the story.  I like this film, for it's various
elements, even though, I just tend to look at Gong Li for
who she is, I probably like her more for who she was 19
years ago when this film was made, but still, as you may
be a friend looking in, this is why I chose to do this big
project on her/with them.  You never know, it's good to
do some days. 

https://www.youtube.com/watch?v=a6rzXTughGI

The Moon is Like a Lemon part 2

Here is a link to the Taiwanese version of the Yao Surong
version that was taken down due to a 3rd party copy-write
infringement,  but the coincidental irony that I found here is
that after my first attempt at memorizing the lyrics thru the
Pin Yin, I filmed myself during the June Super Moon and
realized what it was.

http://www.yesasia.com/global/king-of-singer-dvd-taiwan-version/1014429042-0-0-0-ja/info.html