Wednesday, June 22, 2016

Mongolian Invasion of Japan



If I'm in review, and transcending the ramifications in regards to my
last legal endeavor, which was towards the end, gaining water, void of
formality, which as to say, retained the attributes of the initial mission
statement relating to the interaction with celebrities, but didn't clarify
the casual idea's, which, granted that I made a lot of ballsy moves, and
had grandiose motives of augmenting the material I had, with stuff from
Singapore, Thailand and Hong Kong, off-line, with my monthly income,
after I had moved, and pivoted myself against the grain "so to speak'
the messages I sent to the attorney, weren't analyzed in the spirit of
"is this motive continuously gratifying the ultimate goal", things I said
that were off-topic, that I had to delve into to create the lacquer a
professional painting restoration expert would have to coat the damaged
section of a painting, weren't thoroughly rationalized, so giving you
an example, if I were to talk to him about the musicians we hired during
my initial days with a recording studio, he would get wind of some
riff raff who strolled in there, as though he were interrupting a Hollywood
business meeting, he doesn't see it the oil painting of a grey hounding
catching a rabbit,  just riff-raff, juvenile delinquent, stealing, playing
loud music and so on and so fourth.  It's kind of imperative I relate to
that to set the stages of a romance, to emphasize Zhang Ziji's physical
appearance as the vagabond percussionist is thing that works good for
her to contrast against, so if I can't put that atmosphere into perspective
I can't technically justify, why I wanted to get into that atmosphere, as
opposed to the other screen writers who just see a lot of the camera'
flashes, going off as she walks on the red carpet, which is how the lawyer
thinks, it's not the invasion of Japan by the Mongolians.

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